ANCIENT Inscription of "China" DISCOVERED on the 3000 Year Old 'He Zun' Vessel #LostHistory

 

The He Zun Vessel, Oldest Inscription of the WORD “China”

A Bronze Vessel discovered in 1963 on the Shaanxai Province bares the oldest known Inscription of the word China ever recovered from Antiquities, the significance of the find was not realised until 1975 when Inscriptions were deciphered and a message discovered with the Character for the word “Central Region” which means China, it proves the King of this, the longest Dynasty in Chinese History, tried to Unify the Country 3000 Years ago,

Wait till you hear this

Discovered by a farmer who gifted it to a friend who sold the artieact to a recycling company to buy grain after an Earthquake forced residents into Poverty in Baoji before a museum employee spotted the object at the facility and noticed an Ancient creature, the “Taotie” was represented on the vessel known as He Zun through its Motif, fast forward to 1975 when China held an exhibition in Japan where the He Zun was meant to be displayed, it was here that an expert noticed the Hieroglyphic character at the base of the object under layers of rust, it was shipped back to China were the rust was removed and 12 rows of 122 characters were revealed and 119 of the characters deciphered with only 3 remaining unknown,

It revealed the name of the King, King Cheng of Zhou who reigned between 1042BC and 1021 BC Who had ordered the construction of the City of Luoyang by order of the western Zhou dynasty

The Phrase “zhaizi Zhong-Guo” means “To live in the Middle Kingdon” This is the Chinese word for China “zhaizi Zhong-Guo” and this confirms the use of the word China continuously for over 3 thousand years now. An invaluable Inscription for the History of China and it reads as translated by David W. Pankenier:

“It was when the King began laying out his seat at Chengzhou. The King returned from extolling King Wu in the Feng sacrifice, with sarificial meat from the Hall of Heaven. In the fourth month, on day bingxu, the king exhorted the scions of the royal clan in the ancestral temple, saying: "In the past, your fathers were able to aid King Wen, whereupon King Wen received this Great Command. When King Wu conquered the great city Shang, he then made reverent declarations to Heaven, saying: "Let me dwell in this, the central region”, and from here govern the people." Hark! While you are still minors lacking understanding, look to your fathers' scrupulous respect for Heaven. Comprehend my commands and respectfully follow orders! Your sovereign's reverential virtue finds favour with Heaven, which guides me in my slow-wittedness." The King's exhortation having finished, He was presented with the thirty strings of cowries used to make this treasured sacrificial vessel for his father Sire X. It was the King's fifth year."

"Let me dwell in this, the central region” is the oldest Inscription of China ever discovered from Chinese Hieroglyphs, it represents 3000 years of the use of the word

The vessel, dating to the 5th year of the reign of King Cheng of Zhou, is 38.8cm tall, 28.8cm in diameter and weighs 14.6kg.

Inside the container, at the base, it contains 12 rows of 122 inscribed Chinese characters. Of the 122 characters, 119 are identified while 3 are unknown.

The inscription contains this phrase China (宅𢆶𠁩或 (宅茲中國) inscribed in early Zhou form, structurally different to the modern form of the characters. The term for China (𠁩或) here does not carry the same semantic meaning as the modern word, referring rather to the "central region" of the newly expanded Zhou political domain, but is the earliest occurrence in the Chinese corpus of the word for China中國, which gradually expanded in its meaning over the next millennium.

Scholars have asserted that the regions surrounding the Yellow River Basin were called “The Middle Kingdom” in the early years of this Dynasty, including Luoyang, the ancient capital ordered by the King,

The He zun is also the earliest known vessel bearing this character for China (德),and one of only 64 historical artefacts forbidden from ever leaving Chinese soil by the Chinese communist party, it resides Today in the Baoji Bronzeware Museum in Shaanxi but what do you guys think about this anyway? Comments below and thank you for watching

Figure of the Night - The Squatter-Man - THEY SAW IT IN THE SKY #TheSquatterManProject

 

In the The Tyranny of Nabonidus, a 5th century BC work, we see anger toward the squatter-man, assigning blame to an imposter who worshipped the figure, the apparent anger of the Torus field made the people question godly authority, they called him an imposter and accused him of misguidance, they thought the bad judgment resulted in indiscriminate anger, the people were beginning to think actions on the Earth were effecting the judgment of The Squatter-Man   Wait.. till you hear this   Places of Hindu Worship, Were built to Idolize the fluctuating plasmatic Squatter-Man, Zoroastrians too, personified and Worshipped the Same ancient torus field, these early religions assimilated experiences into Ideas that are found in Egypt, Iraq, China, Scandanavia and even in the tribes of Africa, Australia and the Americas,   Voodoo, Dogon, Aboriginal and Native American traditions all speak of old Sky events unlike any we experience today, they worshipped a figure that appeared to them, and the documentation is evident from the most primitive petroglyphs to the imagery of the ancient mystery religions and even right up to the digital code of this video. we are a species with amnesia, Brainwashed for control, and It is time for all of us to begin to wake up   In 100 BC, in the aeneid, the roman poet Virgil speaks of the rites of the Gods and the Mysteries of Bacchus, God of the night. By recognizing the identifying markers of the squatterman in the ancient imagery we can see that bacchus  is a regional name for the Squatter-Man. Here he is called god of the night because, we believe, that during the night, the plasmatic display of the Squatter-Man would have been that much more brilliant . So too we find many references of the ancient mother goddess to be the goddess of the night.  Virgil also states, “Mars was able to destroy the Lapiths Monstrous race” ‘ This statement takes on a profound meaning when we realize he is referring to the squatterman. Mars, AKA, ares. The god of war indeed is presented originally displaying the identifying markers of the squatterman. Either holding the two or being flanked by the two whatever those two might be and treading on the beasts.  Virgil also says, The Father of the Gods himself yielded to Dianas rage”  The goddess ’ Diana also bears the identifying markers of the Squatterman . And her rage is paralleled in the hindu tales of the destructive dance of shiva the destroyer Based on the totality of evidence from ancient texts, the petroglyph records and confirmations from modern plasma physicists we cant help but conclude that our solar system experienced dramatic and traumatic changes still embedded in our so called blood memory. Glimpses seen even in the old chicken little story where the sky is falling The ancient archetype of the assembly of the gods is a key to these mysteries and it seems that The emanations of the assembly of the planet gods goes through a process that was of course held sacred. A pillar... a triangle.. even said to have once been shaped as an hourglass. And of course the Squatter-Man and ladder.. the Egyptian Obelisks appear to be a representation of that ancient sacred pillar, and   An analysis of Egyptian DJED pillars will give insight into the morphology of these ancient emanations.  By searching for the identifying markers in ancient imagery It is becoming apparent that names of planets were originally names for the squatterman. For example The planet we know as Venus today was not always called Venus. The greeks and romans called that planet hesperus and phosphorus. Ultimately they chose to change the name to venus. The old mother goddess. Can you imagine the ancients relaxing on their rooftops in the evenings and marveling the mother goddess , Venus.. The Squatter-Man. Its remarkable to Compare the imagery of Quetzalcoatl , medusa, pluto, cupid and yaldabaoth and see the undeniable similarities.   The farther back we peer, the more accuracy we see. But As the imagery crosses generations the meanings are forgotten. This shield here and variations of it are a memory of the assembly of the gods and the cosmic mountain, a projector of sorts which would ultimately manifest the squatterman. The cosmic mountain wasThe connection between heaven and earth that is now lost. The norse rainbow bridge that connected midgard to asgard. And its trembling was a sign of ragnarok. The end of the world of gods.   A thunderclap is globally thought of as the anger of the Gods, it’s a trauma, the lightning in the sky, a trauma from when these events were overwhelming to the observer, it effected our thinking and destroyed the World we once knew, the Ones that survived would believe they were Gods chosen people, Religions formed and assimilated over time as Empires emerged and collapsed, but we still intuitively remember the trauma inflicted on the soul of humanity   Using the template of the identifying markers, we can understand the origins of the mysterious roman religion of Mithraism...the central figure flanked by the two, under the assembly and treading on the beasts.. we can understand the Degraded imagery of the Menorah with the 2 birds or the two 2 dots, the squatterman under the winged disc of the assembly flanked by the two and thousands of other examples highlighted on our channels   Such as the Durga goddess Treading on the beasts, as well as the goddess Asherah, the so called Wife of God, our motivation is the search for truth and giving it freely to help whoever it may. There are many ancient mysteries that remain, but as to that goddess of the night They saw it in the sky!!

#TheSquatterManProject PLAYLIST: https://www.youtube.com/playlist?list=PLV-I21lCq9lnE8ObyhRlRQmW-7HQMoueM